Theo Bramhall
Theo Bramhall — Reviews editor and co-founder. Writes New Rotation and Deep Cuts, which is to say the new records and the old ones, and refuses to say which he prefers.

New Rotation — August 28

A quiet week, which is the best week to find something. Six records, one of which nobody on the desk had heard of on Monday.
New Rotation — August 28

New Rotation — August 21

Six records out this week, each with the verdict attached, plus the one we are still arguing about internally and have therefore not given one.
New Rotation — August 21

Hollow Parade — Fathom Street

The fourth record, and the first one that sounds like a decision rather than a habit. Forty-one minutes, no guests, and a second side that finally goes somewhere.
Hollow Parade — Fathom Street

Ivy Mensah — Cold Open

A debut recorded in eleven days in a room with one microphone, and it sounds exactly like that, which is either the point or the problem depending on the track.
Ivy Mensah — Cold Open

The second album that never shipped

Pale Interval pressed nine hundred copies in 2011 and destroyed eight hundred and forty of them. We found four people who own one and one person who remembers why.
The second album that never shipped

The reissue is now the release

More than half of what a small label presses this year will be something it already released. That is not nostalgia, it is a manufacturing decision, and it is changing what gets made new.
The reissue is now the release

Perennial Static — Nine Fields

Nine instrumentals named after nine fields, and the joke is that you can tell them apart. A quiet record that rewards being played loud.
Perennial Static — Nine Fields

What the tape remembered

A quarter-inch reel found in a house clearance turned out to hold a mix nobody had heard since 1994, including the two people who made it.
What the tape remembered