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Long Player
Hollow Parade have made the same record four times
They know. They would like to explain. Ninety minutes in a rehearsal room with a band who have decided that repetition is the work and not the failure of it.
The band that only plays basements
The Long Wednesdays have turned down every room above ground for three years. It reads as a stunt until you look at what the rooms above ground were offering them.
How we hear a record now
Nobody sits down with a record any more, including us, including the people who make them. An argument about what that has done to the second side.
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New Rotation
Hollow Parade — Fathom Street
The fourth record, and the first one that sounds like a decision rather than a habit. Forty-one minutes, no guests, and a second side that finally goes somewhere.
Ivy Mensah — Cold Open
A debut recorded in eleven days in a room with one microphone, and it sounds exactly like that, which is either the point or the problem depending on the track.
Dray & the Tallows — Second Sleep
Fifty-four minutes when it should have been thirty-five. There is a very good record in here and the band have declined to find it.
Perennial Static — Nine Fields
Nine instrumentals named after nine fields, and the joke is that you can tell them apart. A quiet record that rewards being played loud.
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Doors
Closing night at the Lantern Rooms
A hundred and eighty people, four bands, and a landlord who turned the lights on at eleven because the licence said so and there was no reason left to argue about it.
Hollow Parade at the Brayfield
Four hundred people, a new record two weeks old, and a band who have worked out that the quiet songs are the ones that land in a room this size.
First show: Marguerite Tide
Twenty-two minutes, six songs, and a guitar that went out of tune in the third one and stayed there. Unit 9, on a Tuesday, to about forty people.
Three hundred capacity is the whole argument
Below it a band loses money and learns something. Above it a band makes money and stops. The room in between is where everything we care about happens, and it is the room that is closing.
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Sleeve Notes
How a riso sleeve gets made
Two inks, a drum that jams, a sixty-copy run, and a printer who will tell you at the outset which of your two colours is going to be wrong.
The Fathom Street sleeve, start to finish
One photograph, taken on the wrong night, and eleven weeks of arguing about how much of it to keep. The designer kept a record of every version and let us print it.
In praise of the inner bag
The cheapest component in the package is the one that decides whether the record still plays in twenty years, and almost nobody spends anything on it.
Type on a twelve-inch
A record sleeve is read at two distances and almost nobody designs for the second one. What happens to a typeface at three feet in a rack.
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The Rider
What a support slot actually pays
We asked eleven bands what they were paid to open a show this year and what it cost them to be there. Nine of the eleven lost money. Here are the numbers.
The tour that lost $4100
Fourteen dates, twenty-one days, one van, and a spreadsheet the band handed over on the condition that we printed all of it. We printed all of it.
Four rooms closed in Halbeck this year
Two lost their licence, one lost its lease and one simply stopped answering emails in March. The city now has eleven rooms under five hundred capacity, down from twenty-two in 2019.
How we count this
Where the numbers in The Rider come from, what we do when a band will only give us part of a figure, and the two things we have got wrong so far.
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Deep Cuts
Corrow Pressing is 26 weeks behind
Anything ordered now arrives in March. Three labels have already moved release dates and one has moved a record twice.
The second album that never shipped
Pale Interval pressed nine hundred copies in 2011 and destroyed eight hundred and forty of them. We found four people who own one and one person who remembers why.
The reissue is now the release
More than half of what a small label presses this year will be something it already released. That is not nostalgia, it is a manufacturing decision, and it is changing what gets made new.
What the tape remembered
A quarter-inch reel found in a house clearance turned out to hold a mix nobody had heard since 1994, including the two people who made it.
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